(p. 188) ōm̐rā (hon.) they. 8)

(p. 189) ōhē used in addressing or apostrophizing, hullo, hey. 60)

(p. 189) ōḍ়ba an Indian musical mode which is expressed by five principal notes. 13)

(p. 189) ōṣadhinātha, ōṣadhipati the moon. 53)

(p. 189) ōẏāriśa an heir or heiress. ওয়ারিশান n. pl. heirs or heiresses. 30)

(p. 189) ōpha expressing amazement, anger, regret, pain, disgust etc.; oh. 23)

(p. 189) ōlō used by (usu. village) women in addressing one another, hullo. 51)

(p. 189) ōlāōṭhā cholera. 49)

(p. 189) ōẏājiba just, proper, right; necessary, essential. 27)

(p. 188) ōjasbī strong; vigorous; (rhet.) ornate and vigorous. fem. ওজস্বিনী । ওজস্বিতা n. strength; vigour; (rhet.) ornateness and vigour of style.

(p. 189) ōḍra old name of Orissa. 11)

(p. 188) ō the mystic sound denoting the Hindu trinity; the origin or root of all sounds; the symbol representing the Supreme Being. ওঁকার, ওঙ্কার, ওংকার n. the sound ওঁ (cp. chest-note). 5)

(p. 189) ōra2 his; its. 36)

(p. 189) ōstāda a trainer, a music-master or music-teacher; a master artist or artisan. a. skilled, expert. ওস্তাদি n. efficiency, skill, mastery; cleverness; an attempt to parade one's skill or mastery, bravado; uncalled-for act of coming forward to help; officiousness. a. pertaining to a trainer or music-master or master artist or master artisan. ওস্তাদি করা v. to try to parade one's skill or mastery; to come forward uncalled-for to help; to be officious. 59)

(p. 189) ōrē coll. & poet. form of ওকে । int. used in addressing or apostrophizing. 40)