(p. 188) ōkhāna that or yonder place or region. 16)

(p. 189) ōlō used by (usu. village) women in addressing one another, hullo. 51)

(p. 189) ōṣadhi, ōṣadhī a plant that dies after bearing fruit but for once. 52)

(p. 188) ō the mystic sound denoting the Hindu trinity; the origin or root of all sounds; the symbol representing the Supreme Being. ওঁকার, ওঙ্কার, ওংকার n. the sound ওঁ (cp. chest-note). 5)

(p. 189) ōtaprōta diffused, pervading; inseparably mixed up; thorough. ̃ভাবে adv. inseparably, inextricably. 19)

(p. 189) ōṣadhinātha, ōṣadhipati the moon. 53)

(p. 189) ōḍ়mbā a spendthrift. 14)

(p. 189) ōstāda a trainer, a music-master or music-teacher; a master artist or artisan. a. skilled, expert. ওস্তাদি n. efficiency, skill, mastery; cleverness; an attempt to parade one's skill or mastery, bravado; uncalled-for act of coming forward to help; officiousness. a. pertaining to a trainer or music-master or master artist or master artisan. ওস্তাদি করা v. to try to parade one's skill or mastery; to come forward uncalled-for to help; to be officious. 59)

(p. 189) ōḍ়ba an Indian musical mode which is expressed by five principal notes. 13)

(p. 188) ōm̐rā (hon.) they. 8)

(p. 189) ōlā2, ōlānō1 (dial.) to take down, to bring down. 46)

(p. 189) ōḍ়ā to fly, to move through or in the air; to flutter; to go up in the air. For other uses see উড়া । 15)

(p. 189) ōẏāhābi a follower of Abdul Wahab; a Muslim religious reformer; a group of Muslim socio-religious reformers. 34)

(p. 189) ōṭhā to rise; to get up; to climb or ascend (গাছে ওঠা, পাহাড়ে ওঠা); to get in (গাড়িতে ওঠা). See also the older form উঠা । 9)

(p. 189) ōlāōṭhā cholera. 49)