(p. 308) gāha, gāhana1 act of bathing by dipping the whole body in the water of a pond, river, sea etc.; immersion. গাহন করা v. to bathe. 36)

(p. 306) gāṅgēẏa the son of the Ganges. a. of the Ganges; Gangetic; born of the Ganges. 7)

(p. 321) gōlōka (myth.) the part of the heaven which is the abode of Narayana (নারায়ণ) or Vishnu (বিষ্ণু) ̃ধাম n. the abode of Narayana (নারায়ণ) or Vishnu in heaven; a kind of indoor game. ̃নাথ, ̃পতি, ̃বিহারী n. appellations of Narayana (নারায়ণ) or Vishnu (বিষ্ণু). ̃প্রাপ্তি n. divine permission to live in Goloka (গোলোক) after one's death. 98)

(p. 314) gēha, gēhā (poet.) a house; a dwelling house; an abode, a residence, a home. গেহী n. a householder, a family man. fem. গেহিনী a housewife. 97)

(p. 321) gōḍ় the base, the root; the foot. ̃তোলা, ঘোড়তোলা a. high-heeled. গোড়ে গোড় দেওয়া v. to follow in one's footsteps; to support blindly; to say ditto to. 7)

(p. 296) ganḍēpinḍē stuffing or gorging oneself to the full. 28)

(p. 306) gāḍ়u a pitcher or a tankard, with a spout (and often with a handle), a vase. 20)

(p. 321) gōpurama the high ornamental gate of a South Indian temple. 39)

(p. 314) gurjara Gujarat; a native of Gujarat. fem. গুর্জরী a female native of Gujarat; an Indian musical mode. 29)

(p. 321) gō-māchi the gadfly. 61)

(p. 308) gija gija expressing: a state of crowding or swarming (সভায় লোক গিজ গিজ করছে). 39)

(p. 301) gardā soil, dirt, filth. 8)

(p. 296) gadya prose. ̃কবিতা n. a prosepoem. ̃ছন্দ n. prose rhythm; the unversified language of poetry (গদ্যছন্দে লেখা কবিতা). ̃ময় a. prosaic. ̃লেখক n. a prose-writer. 18)

(p. 296) gappō, gappō (coll.) gossip, chit-chat, prate. গপ্পো করা v. to talk idly, to chatter; to blab. ̃বাজ, গপ্পে a. given to idle or too much talk, talkative, gossipy; able to talk or chat flippantly. n. an idle talker; a flippant talker. 44)

(p. 296) garaja necessity or interest (আপন গরজে); attention, devotion (পড়াশোনায় গরজ). গরজ করা v. to feel eagerness to do, to be up and doing, to be active; to pay attention to. গরজি a. (chiefly used as a sfx.) interested (আপ্তগরজি). গরজ বড় বালাই (fig.) necessity is the most exacting taskmaster; (fig.) necessity knows no law. 75)